Tuesday, May 22, 2012

Today in the Lincoln Conspiracy: May 22


The Boston Museum's breathless promotion of John Wilkes Booth continued through his final appearances during May of 1862.  Theater management urged patrons to buy tickets early for the remaining performances by "the young American tragedian".

On May 22, Booth portrayed Claude Melnotte, a gardener's son who falls for a wealthy young woman, marries her and then loses her, in The Lady of Lyons; Or, Love and Pride.  The play was written by Edward Bulwer-Lytton in 1838.  Today, Bulwer-Lytton is best known for the prize named after him and awarded annually for particularly (and intentionally) bad writing.

Monday, May 21, 2012

Twisted Roots: The Family of John Wilkes Booth

The short life of John Wilkes Booth is filled with drama, not all of it on stage.  Indeed, his personal story reads like fiction, from his birth as the son of a theater legend to his death as the most wanted man in America.

Junius Brutus Booth
His father, Junius Brutus Booth, is a towering figure in the history of the American stage. Within months of his 1821 debut in the United States, the British-born tragedian was hailed as the greatest classical actor in the country, even though he was only in his mid-twenties. He settled in Baltimore and invested his growing fortune in a 150-acre spread in rural Maryland, which he dubbed "The Farm". There, he and Mary Ann Holmes would raise their children.


The elder Booth was universally regarded as brilliant. He was also universally regarded as “difficult”. He was prone to deep bouts of what we now know to be depression. He was also given to behavior characterized, charitably, as eccentric – crowing like a rooster from a theater balcony during a love scene, or strolling naked down a city street. And his capacity for liquor achieved legendary status. Theater owners tried to control his access to alcohol, sometimes locking him in a hotel room between performances in the hope of maintaining his sobriety. Booth overcame such obstacles, in one instance by pushing a straw through the keyhole in his hotel room door to sip from a bottle on the other side.
Mary Ann Holmes Booth

Back at "The Farm", Mary Ann presided over a growing brood of children. She would give birth to ten, six of whom survived childhood. The ninth entered the world on Thursday, May 10, 1838. He was named in honor of an English Member of Parliament who was a vocal supporter of American Independence. John Wilkes Booth, like Abraham Lincoln, was born in a log cabin.


The younger Booth and all his siblings were prohibited from attending his father’s plays. Even so, the household was steeped in the traditions of the classical theater and the figure of the often-absent Junius Brutus towered over it. The children and their mother spent summers on "The Farm" (later expanded and re-named "Tudor Hall") and winters in Baltimore.

It was in the city, when John Wilkes Booth was just eight years old, that a real-life drama shook the foundation of the Booth family. A young man arrived, claiming to be the son of the country’s most prominent actor. Local residents dismissed his claim, since the Booth family was well known in Baltimore. What they didn’t know was Junius Brutus had left a wife and son behind in  Europe.

The young man summoned his mother. Adelaide Delannoy Booth was so incensed to learn of her husband’s second life, she booked passage on the first ship to America. It sank. Undeterred, she jumped on the next available ship and finally arrived in Maryland to lay claim to her son’s birthright. Once in Baltimore, Adelaide learned her husband was not only famous, but also prosperous. She wrote her sister in Brussels, “I don’t want to do anything to prevent him from making money, so I shall wait till he returns… then my lawyers will go off on him like a bomb.”

Tudor Hall, the Booth country home, was constructed by the same contractor who built Ford's Theatre

The truth finally came out, aided by the rightful Mrs. Booth parading up and down before the Booth house on Exeter Street, screaming that the children inside were “bastards”. One can imagine the trauma such a display caused the young John Wilkes. To his credit, Junius Brutus had consistently provided financial support for the wife and son he had abandoned to run off with Mary Ann Holmes (who was a flower girl outside a London theater when they met).
Junius Brutus Booth with son Edwin, age 13

It took two years for the shocking drama to unfold. Adelaide finally agreed to a divorce, paving the way for Junius Brutus and Mary Ann to wed on May 10, 1851 – John Wilkes Booth’s thirteenth birthday.  A year and a half later, Junius Brutus Booth was dead, the apparent victim of his own excesses.

Today in the Lincoln conspiracy: May 21

"This young artist's histrionic efforts [have] never been equaled by any star..."  So thundered the Boston Museum during the final week of performances by John Wilkes Booth in May of 1862.

On May 21, Booth returned to the role of Charles de Moor in The Robbers: A Tragedy.  The 1781 melodrama by German playwright Friedrich Schiller depicts a violent struggle between two brothers, with strong anti-authoritarian overtones.

Sunday, May 20, 2012

Today in the Lincoln Conspiracy: May 20



The Boston Museum tirelessly promoted the appearances by John Wilkes Booth on its theater stage.  The young actor would perform seven different plays in Boston during May 1862.  Handbills proclaimed that his performances excited "extraordinary furore".

On May 20, 1862, Booth appeared in "the ever popular and pathetic play" The Stranger, Or Misanthrope and Repentance.  He played the title role.

Saturday, May 19, 2012

Today in the Lincoln Conspiracy: May 19

John Wilkes Booth wowed audiences and critics alike during a month-long Boston engagement in May of 1862.  He appeared in seven plays during the month.  On May 19th, he dominated the stage with his performance as Pescara, the villain of the melodrama The Apostate.

Booth was proclaimed "the handsomest man in America"


It was a role Booth would return to again and again.  His final stage performance -- four weeks before the Lincoln assassination -- was as Pescara in The Apostate at Ford's Theatre in Washington.

Friday, May 18, 2012

Today in the Lincoln Conspiracy: May 18

Eight people accused of participating in the conspiracy to kill President Abraham Lincoln went on trial before a military tribunal on May 10, 1865.

Military tribunal for the Lincoln conspirators



During the seven-week trial, the tribunal heard from hundreds of witnesses, but not from the defendants.  Under the terms of the tribunal's presidential commission, the accused were not permitted to speak in their own defense.

On May 18, a telegraph operator named A.R. Reeves testified at the trial  He told the tribunal that he transmitted a message from New York to Washington, addressed to Lewis Weichmann, a key prosecution witness.  The telegram was sent by John Wilkes Booth on March 23, 1865.

Thursday, May 17, 2012

A Meeting of Confederates

By mid-summer 1864, John Wilkes Booth is living a dangerous double life.  He is a very public personality, a theatrical star whose off-stage performances and dalliances generate as much gossip as his on-stage appearances generate rave reviews. Yet he also has a very private life.  He is part of a ring that smuggles supplies to the Confederacy. How great a role he plays is subject to on-going debate, but there is no doubt he is deeply enough involved that if he is caught, he will hang. His smuggling operations bring him into contact with other operatives of the Confederate secret service. He even travels to Montreal, a hotbed of Confederate intrigue, to meet with the leaders of the Southern underground.  But he wants to do more.  He wants to be more.


Booth, who has been schooled all his life in the theatricality of the grand gesture, wants to make his mark on history.  When the story of the Civil War is told to future generations, he wants its hero to be John Wilkes Booth.  And that summer, he concocts a scheme that will assure him a leading role in the history of his beloved South.


Booth plans to abduct President Lincoln and hold him for ransom. He is not after gold – he is after men. He will free Lincoln only if all captured Confederate troops are released from Union prisons. As the tide of the war continues turning against the South, it becomes clear the North has an unassailable manpower advantage. The Confederacy cannot win a war of attrition. If Lincoln can be apprehended, the North might be willing to swing open its prison gates and free tens of thousands of Southern soldiers. Even now, it sounds like a desperate act. Among some Southerners, desperation appears to be the last hope for victory.

Having cast himself as the star of the heroic drama, Booth now takes on the roles of director, producer and scenarist.  His years on the stage have taught him that no production can be mounted as a true "one man show".  He will need a supporting cast.

Samuel Bland Arnold
His next step is -- in hindsight -- an obvious one.  He reaches out to people he knows.  Booth contacts Sam Arnold, a former classmate turned Confederate soldier (he either mustered out for health reasons or deserted) now working on his brother’s farm in Maryland.  And he sends word to Michael O’Laughlen, a former Booth family neighbor in Baltimore and former Confederate solider, who is also living off work his family provides. Both men are miserable and aching for something new.  Booth provides it. 
Michael O'Laughlen Junior

The actor invites his two old friends to join him at a fancy Baltimore hotel in that summer of 1864.  It's easy to imagine their meeting.  The three young men -- Booth at 26, O'Laughlen just turned 24, Arnold 29 -- drinking, swapping stories, reliving "the old days".   The former soldiers may have shared stories of the battles they fought.  Perhaps Booth revealed his secret life -- portraying himself as a valiant and indispensable agent of the Confederate secret service.  And then, he unveils his plan -- the bold stroke that can save the Confederacy.

No one knows if it was the strong ties of friendship, the audacity of the proposed kidnapping, or just the famous Booth charm.  Whatever the reason, Arnold and O’Laughlen leave the meeting as the first members of the conspiracy.